Internal Dissolve (2020) Jenna Collins
Jenna Collins’ practice speculates on the impulses sublimated in small extracts of minor-speech and equivalent objects, encouraging them to flourish. Recent work has focused on the technological as a site of political, poetic and philosophical potential. The moving image, in all its current divergent forms (understood as a broad sphere of activity rather than merely a specific media outcome) is one such site, which the artist engages with in reflexive video, sound and text artworks.
Jenna Collins lives and works in London and Yorkshire. Recent solo, group and collaborative exhibitions, screenings and broadcasts include, September Garden with We Are Publication (WAP) at Camden Arts Centre, (2020). The Hold, with WAP at The Stanley Picker Gallery, London (2019). Technologies Of The Self, SUPERLUX, Aberdeen (2019). We.Are.Cut.Up. with WAP, Pratt Institute, New York (2019). Two External Light Sources with Alice Rekab Temple Bar Gallery and Studios, Dublin (2018). We Are the Road, London International Film Festival, London (2018). Late Junction, BBC Radio 3 (2018). Cafe OTO, supporting Heretics, London (2018). TLC with 0s+1s, Casa Victor Hugo, Havana, Cuba and the Gotland Art Museum, Sweden (2017). The Grand Alliance, Quick Millions, London (2016). Plague of Diagrams, with Rachel Cattle, ICA, London (2015). Collins holds a PhD (AHRC) from The Contemporary Art Research Centre, Kingston School of Art and is currently writing, ‘One, 2,3’, a novel for Joan, a new publishing project supporting interdisciplinary artists' writing.
jennacollins.com