2014

In 2014, Fiona Banner, Marvin Gaye Chetwynd, Katrin Plavcak and Stephan Dillemuth spoke about their approach to making work.

23/05/14 Fiona Banner


Fiona Banner lives and works in London. She was shortlisted for the Turner Prize in 2002 and her installation Harrier and Jaguar, for which she placed two fighter planes in the neo-classical Duveen Galleries at Tate Britain, was in 2010.
The artist’s work centres on the problems and possibilities of language, both written and metaphorical. From her ‘wordscapes’ to her use of found and transformed military aircraft, Banner juxtaposes the brutal and the sensual, performing a complete cycle of intimacy, attraction and alienation.

Publishing, in the broadest sense, is at the heart of her practice. In 1997 she started working under the title of The Vanity Press. Under this imprint she has published books, objects, and performances.  

Banner has exhibited widely in Europe and America. Her work is represented in many collections in the UK and abroad including the Museum of Modern Art, New York, the Philadelphia Museum of Art, the Arts Council of England, Tate Gallery, London and the Walker Art Gallery, Minneapolis.
Future projects include solo exhibitions at PEER, London (June 2014) and Yorkshire Sculpture Park, Wakefield, (July 2014).


Mark

16/05/14 Marvin Gaye Chetwynd


Marvin Gaye Chetwynd (b. 1973, London) is a British artist whose practice intertwines performance, sculpture, painting, installation and video. Chetwynd’s performances and videos harness elements of folk plays, street spectacles, music videos and surrealist cinema. They generally employ troupes of performers—friends and relatives of the artist—and feature handmade costumes and props. Through meandering, improvisatory and often burlesque dramas, she has ranged across a panoramic range of subjects. Chetwynd’s performances strike a darkly carnivalesque note, and tread an ambiguous line between melodrama, arcane ritual, and pop-cultural spoof.  

The artist was shortlisted for the Turner Prize in 2012. Major performances include The Green Room(Nottingham Contemporary, 2014), Home Made Tasers (New Museum, New York, 2011-12), The Visionary Vineyard: Dreaming of Free Energy(Hayward Gallery, London, 2011, part of British Art Show 7: In the Days of the Comet), and A Tax Haven Run By Women(Frieze Projects, Frieze Art Fair, London, 2010). Recent solo exhibitions include Help! I’m trapped in a Muzuzah Factory(Le Consortium, Dijon, France, 2008) and Spartacus Chetywnd(Migros Museum für Gegenwartskunst, Zürich, Switzerland, 2007). Forthcoming solo presentations include those at Studio Voltaire, London, CCA Glasgow, and Cricoteka: Centre for the Documentation of the Art of Tadeusz Kantor, Poland.  lives and works in London. She was shortlisted for the Turner Prize in 2002 and her installation Harrier and Jaguar, for which she placed two fighter planes in the neo-classical Duveen Galleries at Tate Britain, was in 2010.
Mark

09/05/14 Katrin Plavcak


Katrin Plavcak was born in Gütersloh, Germany in 1970 and was raised in Zeltweg, Austria. The artist graduated from the Federal Academy for Social Work in Vienna in 1995 and from the Vienna Academy of Fine Arts in 1999, after which she spent several study periods abroad in Africa, the United States and China. She was guest lecturer in painting and graphic arts in Ursula Hübner’s class at the Linz University of Arts and Industrial Design, and taught in Antje Majewski’s classes at the Berlin-Weissensee Art Academy and the Muthesius Academy of Fine Arts and Design in Kiel. Painting stands at the centre of the artist’s practice. In her exhibitions, images and objects exist in dialogue with one another as if they are one work. She currently lives and works in Berlin.
 
Solo exhibitions include Gallery Mezzanin (Vienna, 2014), Croxhapox (Ghent, 2013), Il Giardino di Daniel Spoerri (Seggiano, Italy 2013), Dispari & Dispari Project (Reggio Emilia, Italy, 2012), Kavi Gupta (Berlin, 2012), Österreichisches Kulturforum (Prague, 2012), Städtische Galerie (Waldkraiburg, 2011), Galerie Mezzanin (Vienna, 2011), Secession (Vienna, 2009), after the butcher (Berlin, 2008).  
Mark

02/05/14 Stephan Dillemuth


Stephan Dillemuth sees art and its distinct qualities as a tool for research and critical reflection of the circumstances of contemporary life. With its inherent methods of reflection, analysis, and experimentation, art, he believes, creates beauty, but it also has the potential to change society. His inquiry into recent changes in the idea of the public sphere takes place against the backdrop of our globalised, localised and fragmented publics. Here we can see  historical trajectories of liberation, e.g. those of bohemia, lebensreform and self-expression intersecting with new technologies of surveillance and control in order to establish a new ideology of 'freedom' as a totalitarian rule. What are the conflicts at hand?

Stephan Dillemuth teaches at Munich's Academy of Fine Arts and he has shown all over the world including Bergen Assembly (Bergen, 2013),  Secession (Vienna, 2012), Manifesta 8 (Murcia, 2010), Transmission Gallery (Glasgow, 2010), Galerie für Landschaftskunst (Hamburg, 2009), Reena Spaulings Fine Art (2008), Galerie Christian Nagel (Köln, 2007), American Fine Arts, Co., (New York, 2000), Friesenwall 120 (1990-1994), Sommerakademie Kunstverein München (Munich, 1990) and UTV (1995-1997). was born in Gütersloh, Germany in 1970 and was raised in Zeltweg, Austria. The artist graduated from the Federal Academy for Social Work in Vienna in 1995 and from the Vienna Academy of Fine Arts in 1999, after which she spent several study periods abroad in Africa, the United States and China. She was guest lecturer in painting and graphic arts in Ursula Hübner’s class at the Linz University of Arts and Industrial Design, and taught in Antje Majewski’s classes at the Berlin-Weissensee Art Academy and the Muthesius Academy of Fine Arts and Design in Kiel. Painting stands at the centre of the artist’s practice. In her exhibitions, images and objects exist in dialogue with one another as if they are one work. She currently lives and works in Berlin.  

Solo exhibitions include Gallery Mezzanin (Vienna, 2014), Croxhapox (Ghent, 2013), Il Giardino di Daniel Spoerri (Seggiano, Italy 2013), Dispari & Dispari Project (Reggio Emilia, Italy, 2012), Kavi Gupta (Berlin, 2012), Österreichisches Kulturforum (Prague, 2012), Städtische Galerie (Waldkraiburg, 2011), Galerie Mezzanin (Vienna, 2011), Secession (Vienna, 2009), after the butcher (Berlin, 2008).  
Mark